The takeaway thesis is that Amish romance novels fit beautifully in the oppositional, fundamentalist, and consumerist Christian mindset of contemporary American evangelicals. These novels trade in on markets serving contemporary American Protestants nicely; the romances are an antidote to the fast-moving, technology-oriented, gender-bending, hyper-sexualized mainstream where these readers feel alienated and adrift. These romance readers are served up cherrypicked quaintness of a social and religious subgroup shorn of their details: brides and quilts and storybook farms. Skipped over are the practices within Amish tradition that splatter up against evangelical modernity: pacifism (not extended to their animals, btw) and communism. (Yes, communism). The effect is the superficial sharing of a counter-modern narrative that is no way based on deeper consensus about values other than the mainstream is big, scary, corrupt, distressingly cosmopolitan and decaying. The novels are written, Weaver-Zercher notes, like many others in genre fiction--for readers who are already convinced of their lifestyle and beliefs and want those mirrored back to them in wholesome, unchallenging ways.
Valerie Weaver-Zercher wrote up this essay on Bonnet-Rippers for LARB that is also worth reading.
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